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Threads of Time and Style: The Artwork of Dressing in Pierre Frey
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Threads of Time and Style: The Artwork of Dressing in Pierre Frey

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Last updated: August 20, 2025 9:40 pm
Scoopico
Published: August 20, 2025
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After I was invited to talk with Patrick Frey for this 12 months’s Nantucket by Design luncheon, I knew I wished to have a good time not solely the extraordinary legacy of Pierre Frey materials, but in addition the Nantucket Historic Affiliation and their summer time exhibition on textiles. Each honor the custom of tremendous craftsmanship and design, the place heritage finds recent relevance within the current. It felt like a uncommon and becoming alternative to weave collectively previous and current, vogue and interiors—threads of time and style.

For those who’ve ever run your fingers throughout a handwoven material or marveled on the intricate design of a centuries-old textile, you already perceive that fabric tells a deeper story. Textiles had been among the many first actually world commodities, connecting distant corners of the world by way of commerce and cultural trade, shaping who we’re and the way we stay. They helped construct empires, spark revolutions, and advance science—dyestuffs, for instance, laid the groundwork for contemporary chemistry. Each Pierre Frey and Nantucket share the influences of worldwide cultures in textiles, bringing the world dwelling by way of design, materiality and craft. Even on our little island as Michael Harrison, NHA Chief Curator, explains, “So many points of island historical past will be explored by way of textiles and clothes.” Beneath, from the exhibit, a quilt exhibits early innovation, combining native product with imported material. “Crammed with Nantucket wool, the backing material is probably going American and the roller-printed glazed cotton high material is British, stated to have been smuggled onto Nantucket by way of the British coastal blockade throughout the Conflict of 1812.”

quilt from the collection of the Nantucket Historical Association shown at Behind the Seams exhibit
Wholecloth quilt of English cotton stuffed with Nantucket wool, ca. 1830
Phebe Starbuck Swain (1795–1882), maker, Reward of John Chadbourne. through The Nantucket Historic Affiliation

Years in the past, I had the privilege of becoming a member of Patrick and a small group of designers for a curator-led tour of the InterwovenGlobe exhibition at The Metropolitan Museum of Artwork. The present supplied a masterful exploration of the interaction between vogue and ornamental arts—a theme that left a long-lasting impression. That reminiscence grew to become the seed of an thought: to create one thing wearable that will honor that very same intersection of disciplines and communicate to each heritage and craft.

Dutch Wentke in the Metropolitan Museum via Quintessence
Cotton/linen Dutch Wentke, mid-18th c., Isabel Shults Fund, 2012, courtesy of the Metropolitan Museum of Artwork

I used to be notably interested in the mid-18th century Dutch Wentke above and envisioned a jacket impressed by Palampore textiles, steeped in historical past and wealthy in ornamental storytelling that echoed the theme of our speak—The Transportive Energy of Textiles: Bringing the World Residence.

Pierre Frey coordinating Branquenié fabrics via Quintessence

After a go to to the Pierre Frey showroom in New York, I chosen two harmonious Braquenié patterns, Medallions Bouquets Rayure and Bengali, above, each primarily based on Indo-Persian panels saved within the archives of Maison Pierre Frey. Certainly one of my favourite points of the bigger sample was its inclusion of stylized mermaids, so paying homage to Nantucket lore.

Pierre Frey Medallions Bouquets Rayure via Quintessence

I then reached out to Sokayri, a couture atelier beneficial by my sister-in-law, to rework these historically inside materials right into a customized piece crafted particularly for the event. Because the proprietor of the studio defined, “This jacket was greater than a bespoke garment—it was a journey. From the preliminary becoming to the ultimate hand-stitched element, it embodied a spirit of collaboration, craftsmanship, and care. Each ingredient advised a narrative, woven along with intention and love.”

Custom jacket made from Pierre Frey fabric via Quintessence

At every go to, I labored intently with Svetlana, deciding how and the place to piece collectively the various patterns. In a unprecedented show of workmanship, she meticulously pieced collectively the intricate patterns of the 2 distinct materials to create a one-of-a-kind customized jacket. Every material, wealthy in texture and imagery, supplied a singular visible narrative—one daring and sophisticated , the opposite small and charming with a extra manageable total repeat.

Bespoke jacket made for Quintessence from Pierre Frey fabrics

Rigorously aligning motifs in order that florals flowed seamlessly into angular varieties, she created visible cohesion with out sacrificing the individuality of every textile. Strategic panel placement, hand-cut sample matching, and delicate tailoring decisions ensured that the jacket was not solely impeccably constructed but in addition a wearable murals, paying homage to the legacy of French textile design.

Hand embroidered collar on bespoke jacket for Stacey Bewkes of Quintessence

In true couture vogue, the jacket is a surprising marriage of artistry and imaginative and prescient, with each ingredient thoughtfully thought of. However it was the collar that actually elevated the piece to one thing extraordinary. Hand-embroidered with botanical motifs on a sublime silk border, rigorously chosen to enrich each the materials and my coloring, the collar added simply the fitting contact of delicate element. It was that delicate but unforgettable ending observe that made the jacket not simply bespoke, however intimate and intentional.

Stacey Bewkes of Quintessence in sylvia furmanovich earrings and Pierre Frey jacket
Emily Elisabeth Pictures
Threads of Time and Style: The Artwork of Dressing in Pierre Frey
Emily Elisabeth Pictures

A thanks to The Vault for the beneficiant mortgage of the beautiful Silvia Furmanovich earrings—an impeccable remaining contact that complemented the jacket to perfection.

Stacey Bewkes of Quintessence in sylvia furmanovich earrings and Pierre Frey jacket
Emily Elisabeth Pictures

However the largest thanks goes to Patrick Frey and the Pierre Frey crew for entrusting me to information this inspiring speak.

Pierre Frey team at Nantucket by Design, Emily Elisabeth Photography
l to r: Kim Huebner, Patrick Frey, Kristen Golov, Fiona West. Emily Elisabeth Pictures

Thanks to everybody who got here. Pierre Frey and the Nantucket Historic Affiliation could seem worlds aside—one a storied French textile home, the opposite a New England cultural establishment—however at their core, they share a kindred spirit. Each are dedicated to preserving and celebrating historical past by way of magnificence, craft, and storytelling. Whether or not it’s Pierre Frey’s beautiful materials that carry centuries-old patterns and artisanal methods into the current, or the NHA’s considerate stewardship of Nantucket’s wealthy previous, every reminds us that heritage isn’t simply one thing to be merely admired—it’s one thing to be lived with, layered into our environment, and handed down with care. It’s this shared reverence for custom and timeless design that makes their connection really feel not solely pure, however actually inspiring.

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